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The Call of the Wild

Chapter 1

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He was glad for one thing: the rope was off his neck. That had given them an unfair advantage; but now that it was off, he would show them. They would never get another rope around his neck. Upon that he was resolved. For two days and nights he neither ate nor drank, and during those two days and nights of torment, he accumulated a fund of wrath that boded ill for whoever first fell foul of him. His eyes turned bloodshot, and he was metamorphosed into a raging fiend. So changed was he that the Judge himself would not have recognized him; and the express messengers breathed with relief when they bundled him off the train at Seattle.

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Four men gingerly carried the crate from the wagon into a small, high-walled back yard. A stout man, with a red sweater that sagged generously at the neck, came out and signed the book for the driver. That was the man, Buck divined, the next tormentor, and he hurled himself savagely against the bars. The man smiled grimly, and brought a hatchet and a club.

"You ain't going to take him out now?" the driver asked.

"Sure," the man replied, driving the hatchet into the crate for a pry.

There was an instantaneous scattering of the four men who had carried it in, and from safe perches on top the wall they prepared to watch the performance.

Buck rushed at the splintering wood, sinking his teeth into it, surging and wrestling with it. Wherever the hatchet fell on the outside, he was there on the inside, snarling and growling, as furiously anxious to get out as the man in the red sweater was calmly intent on getting him out.

Stop and Think!"Now, you red-eyed devil," he said, when he had made an opening sufficient for the passage of Buck's body. At the same time he dropped the hatchet and shifted the club to his right hand.

And Buck was truly a red-eyed devil, as he drew himself together for the spring, hair bristling, mouth foaming, a mad glitter in his bloodshot eyes. Literary Device Straight at the man he launched his one hundred and forty pounds of fury, surcharged with the pent passion of two days and nights. Literary DeviceIn mid-air, just as his jaws were about to close on the man, he received a shock that checked his body and brought his teeth together with an agonizing clip. He whirled over, fetching the ground on his back and side. He had never been struck by a club in his life, and did not understand. With a snarl that was part bark and more scream he was again on his feet and launched into the air. And again the shock came and he was brought crushingly to the ground. This time he was aware that it was the club, but His madness knew no caution. A dozen times he charged, and as often the club broke the charge and smashed him down.

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Choose a visual description, or mental image, that connects with what you see when you read this paragraph. Click 'Show' to see the clues that helped the coaches visualize. Click on the coaches for help.



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MontyHaliPedro


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Choose one of the strategies you've practiced here—visualize, summarize, predict, or question. Pick one that works well for you and is suited to the passage.

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Monty's Thoughts

When I get ready to visualize this scene, I think about where I might be standing and looking. Sometimes I 'look' out of Buck's eyes to imagine what I might see, sometimes I 'look' out of another character's eyes. When I visualize this way I really start feeling the characters' emotions.



Monty's Response

I see all of the dogs wearing harnesses and working together to pull the sled through the ice and snow. I hear Francois calling out commands and I see Dave and Sptiz teaching Buck all that he needs to know to become a skilled sled dog.

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Hali's Thoughts

I like to 'stand back' and visualize a whole scene with all of the people in it. That way I can imagine the place, the time, the way people look, the weather, and all kinds of details the author gives me. This makes the scene and the story come alive for me.



Hali's Response

When I close my eyes I imagine how Buck must feel during his first experience as a sled dog. He has never even seen snow before, and now he is expected to learn how to become a sled dog very quickly. I can hear the sound of Francois voice and the sound of the sled against the ice and snow. I can feel the cold Alaskan air. I can see all of dogs working very hard.

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Pedro's Self Check

Ask yourself these questions about your visualization:

Am I seeing what is most important in the story?

Can I close my eyes and see a vivid movie of what is happening?

Does my visualization help me understand the characters' feelings or an important event in the plot?

Can I see in my mind the place or scene described?

Could I draw or find a picture of what I am imagining?

Can I see, hear, or smell what the author is describing?

Close Window

Monty's Thoughts

When I get ready to visualize this scene, I think about where I might be standing and looking. Sometimes I 'look' out of Buck's eyes to imagine what I might see, sometimes I 'look' out of another character's eyes. When I visualize this way I really start feeling the characters' emotions.

Close Window

Hali's Thoughts

I like to 'stand back' and visualize a whole scene with all of the people in it. That way I can imagine the place, the time, the way people look, the weather, and all kinds of details the author gives me. This makes the scene and the story come alive for me.

Close Window


Pedro's Self Check

Ask yourself these questions about your visualization:

Am I seeing what is most important in the story?

Can I close my eyes and see a vivid movie of what is happening?

Does my visualization help me understand the characters' feelings or an important event in the plot?

Can I see in my mind the place or scene described?

Could I draw or find a picture of what I am imagining?

Can I see, hear, or smell what the author is describing?

Close Window

Monty's Thoughts

Visualization works for me because I like to draw and create movies. Sometimes I sketch out a scene and add speech balloons to capture what is happening.

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Hali's Thoughts

I enjoy asking questions about a story. I like highlighting important parts in the paragraph and asking questions to identify the key information.